About

What do we lose when someone disappears — a species, a culture, a language, a voice?

A World Without Them is a visually immersive and emotionally powerful new work that explores extinction in its many forms — not only of the natural world, but of identity, community, and expression. Told through a series of original, cinematic vignettes, this world premiere invites audiences into a realm where bodies become language, silence holds meaning, and survival is a deeply creative act.

Co-created by Deaf artist and trailblazing Dora-nominated performer Landon Krentz and Ghost River Theatre’s Eric Rose, A World Without Them fuses physical theatre and the striking precision of visual vernacular — a performance technique rooted in Deaf expression that combines gesture, rhythm, facial expression, and role-shifting to tell stories in pure visual form.

Designed for Deaf, hearing, ESL, and non-verbal audiences alike, this is an inclusive theatrical experience where gesture replaces dialogue and movement becomes meaning. Time stretches. Bodies transform. Silence becomes thunderous.

At its heart, A World Without Them is both intimate and epic — a love letter to those who came before, and a defiant stand for those still here. It is a bold act of reclamation, a celebration of Deaf artistry, and a call to imagine new futures where no one — and no story — is left behind.


BUY TICKETS

PERFORMANCES

Friday, February 6 at 7:30 PM (Opening Night)

Saturday, February 7 at 7:30 PM

Sunday, February 8 at 2 PM

Thursday, February 12 at 7:30 PM

Friday, February 13 at 7:30 PM

Saturday, February 14 at 7:30 PM

Sunday, February 15 at 2 PM

All performances take place at West Village Theatre, 2007 10th Ave SW, Calgary, T3C 0K4.


WHAT IS VISUAL VERNACULAR?

Visual Vernacular is a unique physical theatre technique, with elements of poetry and mime, primarily performed by Deaf artists. This powerful storytelling style combines strong movement, and iconic (A)SL signs, with gestures and facial expressions, to capture the world in all its visual complexity. 

Cinematic effects are a key feature of performances, such as creating long shots or zoom, playing with fast or slow motion, and panoramic views. Role shifting is another way to play with storytelling. An artist can use movement to morph into different characters, or even objects, to help build a story. By combining these techniques, artists create a highly visually exciting and accessible way to enhance storytelling.


Credits (2025-26)

Conceived & Created by Landon Krentz and Eric Rose

Landon Krentz, Performer

Eric Rose, Director

Alexandra Prichard, Lighting Designer

Orlando Retana Porras, Composition and Sound Design

DeNeane Osmond, Design Assistant and Costume Design

Aaman Merali, Technical Director

Tonisha Kroeger, Stage Manager

Photos: @HarderLee, All Rights Reserved

Videography: Matt McKinney, 2150 Creative


CREATIVE TEAM

Landon


Krentz

Co-creator & Performer

  • Landon Krentz is a Deaf performing artist from Saskatchewan, Canada. He discovered his love for theatrelater in life when he learned sign language. He quickly became a prominent figure in Canadian arts, trying out different forms like ASL opera, visual stories with music, and plays in both ASL and English.

    Krentz is known for his unique performances that combine physicality, visual language, and sign language. He wanted to go beyond just relying on ASL interpretation, which often gives only a partial experience. As a Deaf artist who's fluent in both American Sign Language (ASL) and English, Krentz is the Artistic Director and an ASL performer for theatre. He's all about bringing Deaf and hearing audiences together in his art.

    His efforts were recognized when he received the Award of Merit for Inclusion and Access in 2018 from the Western Institute of Deaf and Hard of Hearing, now Wavefront Communication Access Centre.

    In 2018, Krentz teamed up with Deaf West Theatre to create "Awakening Deaf Theatre in Canada." This project aimed to bring Deaf artists from across the country together to work on an ASL musical based on "Spring Awakening," a Broadway show. The project united Deaf artists from almost all provinces.

    Krentz has worked on a Deaf-led ASL Opera based in Vancouver, BC. He's both the playwright and performer, and the opera explores Deaf culture, queerness, and the human experience using sign language's rhythmic beauty. Krentz's accomplishments also include his play "100 Years of Darkness." This play, produced by Inside Out Theatre, tells the story of Deaf students in the 1880s who were subjected to cruel experiments trying to erase their language and culture. The play sheds light on the effects of banning sign language.

    He's not stopping there. Krentz is currently developing two more projects: "The Confidence of a Deaf Queer Human," created with the Soulpepper Academy, and an adaptation of "The Little Prince" for Deaf theatre. His journey continues to shape the arts and bring Deaf experiences to the forefront.

DeNeane Osmond

Design Assistant & Costume Design

  • DeNeane is an emerging designer currently based in Calgary, Canada. An aspiring Character Designer, her work is characterized by a whimsical aesthetic exploring humor and colour. While her passion lies in creating quirky characters, she is currently most active in Calgary’s vibrant theatre scene as a Set Designer and Scenic Artist. Additionally, she is dabbling in the film world as an Assistant Producer, Storyboard Artist, Assistant Director, and Production Assistant. When not on-set or in-studio, she is traveling the world, meeting new people and immersing in cultures that inspire her designs.

Eric


Rose

Co Creator & Director

  • Eric Rose is an award-winning director, deviser, playwright, educator, and Artistic Director of Calgary’s acclaimed Ghost River Theatre. His work is characterized by a striking audio-visual aesthetic that embraces the impossible, constantly reframing and rediscovering what theatre is and is capable of. As a sought-after Immersive and Sensory Experience Designer, Eric has created over 20 unique interactive shows, including Scent Bar, Intuition Project, Touch, SensoryBox and Tomorrow’s Child, which was recently presented at the Edinburgh Fringe Festival. For over 25 years, Eric, as a teacher, has shared his unique approach to theatrical creation with professionals and students worldwide. In addition to leading GRT’s 4-Day and National 3-week Devised Intensives in Calgary, he has taught for the Young Vic in London, UK, Prague Quadrennial of Performance and Design, Kathy Knowles Theatre Company in Accra, Ghana, Revolutions International Festival in Albuquerque, USA, across Canada and at various post-secondary institutions and festivals. Mr. Rose has been honoured to be a Playwright in Residence at Alberta Theatre Projects, named to Avenue Magazine’s Top 40 Under 40, and to have received the Lieutenant Governor of Alberta Artist Award for his body of work as a theatrical innovator. For Film and TV, Mr. Rose recently co-wrote the feature documentary Close the Divide (AMPIA Award Nomination) and co-wrote / directed a new 5 part soon to be released streaming series, So Dark the Sky and is currently in post-production for a film adaptation of his play, STRUCK.

Aaman

Merali

Technical Director


  • Aaman has worked in theatre, production, and film for 10 years. Initially working as a stage crew, he quickly moved on to specialize in sound, working as a sound designer and head of audio for various shows in the past 5 years. Though he specialises in sound he is also well-versed in lighting, video broadcast and production management. His most notable role was as Technical Director for the world premiere of “STRUCK” presented by Ghost River Theatre Company. In 2024 he started Afterlife Productions, a calgary based company specializing in corporate and  theatrical events.

Alexandra
Prichard

Lighting Design

  • Alexandra Prichard is a lighting designer, production manager, and occasional director. She last worked with Ghost River Theatre as the lighting designer for Something to Do With Death in 2009 (Betty Mitchell nomination), and is excited to be jumping back into the world of creation with Eric and Landon. Recent design work includes Gaslight (Vertigo Theatre, Betty Mitchell nomination), In Wonderland (Alberta Theatre Projects and the Gateway Theatre), Interrogation (Kawalease Arab Canadian Theatre), Uprooted (Handsome Alice), and associate designer for Nevermore (Catalyst Theatre & Vertigo Theatre). In 2019 she directed the world premier of Michaela Jeffery's Wolf on the Ringstrasse for Spirit Fire Theatre which was named one of the twelve outstanding plays of 2019 by the Calgary Herald. When she’s not playing around with light and shadow, Alexandra works as the production manager for One Yellow Rabbit’s High Performance Rodeo – Calgary’s annual international performing arts festival.

Tonisha
Kroeger

Stage Manager


  • Tonisha Kroeger is a Stage Manager and Costume Designer with a diploma in Theatre & Entertainment Production from Red Deer Polytechnic. She brings curiosity and a passion for learning and building systems to every project. Her summers are spent calling cues under fireworks at The Grandstand Show. The rest of the year she proudly works with many youth performing arts companies in the Calgary community, where she strives to inspire the next generation of leaders and artists! Stage Management: The Grandstand Show (Calgary Stampede), Go for Gold Audrey Pham (Lunchbox Theatre), Gloom Town (Alberta Dance Theatre), The Secret Starling (Alberta Dance Theatre), The Smoking Gun (Calgary Young Peoples Theatre), The Frozen Deep (Calgary Young Peoples Theatre). Costume Design: Mary Stuart (Sage Theatre), A Monster Calls (Calgary Young Peoples Theatre).

Orlando


Retana

Composition & Sound

  • Orlando Retana hails originally from the beautiful country of Costa Rica. In 2008, he made the bold move to Calgary, Canada, setting the stage for a vibrant musical journey that has taken him across continents. Music has been Orlando's passion since the tender age of 7, and he has had the privilege of sharing his craft in diverse settings, from the vibrant music scenes of Costa Rica and Canada to the stages of the United States, Latin America, and Europe. His dedication to musical excellence led him to Berklee College of Music, where he honed his skills in Music Production and Performance, graduating with a wealth of knowledge and experience. Along the way, he has collaborated with esteemed producers and artists such as Javier Limon, Alejandro Sanz, Danny Ocean, and others, enriching his musical palette with each collaboration. Currently based in Calgary, he thrives as a Music Producer and Session Musician, lending his talents to projects across Canada. In addition to his collaborative work, Orlando is passionately engaged in crafting original music under the project name ORP, where he blends his diverse influences and experiences into a unique sonic tapestry.


development HISTORY

April - May 2024: Phase One Development Workshop, produced by Landon Krentz and Ghost River Theatre in association with Inside Out Theatre. Artistic collaborators: Concept and creators: Landon Krentz & Eric Rose; Lighting Design: Alexandra Prichard; Sound Design: Orlando Retana Porras; Stage Manager: Olivia Etey; Technical Director: Aaman Merali; Deaf Consultant: Jessica Emery; Performed by: Landon Krentz; Directed by: Eric Rose.

September 2025: Phase Two Development Workshop, produced by Landon Krentz and Ghost River Theatre in association with Inside Out Theatre. Artistic collaborators: Concept and creators: Landon Krentz & Eric Rose; Lighting Design: Alexandra Prichard; Composition and Sound Design: Orlando Retana Porras; Design Assistant and Costume Design: DeNeane Osmond; Stage Manager, Tonisha Kroeger; Technical Director: Aaman Merali; Performed by: Landon Krentz; Directed by: Eric Rose.